We started in 1998 and haven’t looked back since. Helping you fulfill your sounds needs on any project is what we love to do, and we want you to be happy. Our studios are able to handle all your recording needs, and if there’s something we don’t currently have, let us know and we will make a plan.
We are an audio post studio located in Vancouver, BC. We thrive on making things sound amazing, and want to help you with your project.
Hennie Britton, Sound Engineer
Originally from South Africa, Hennie moved to Canada with his family in 1998. People say he’s funny and that he has a killer accent. Guess there’s only one way to find out, come visit!
He started his career in radio. Once things switched to Television, he did as well. Having already owned a studio in South Africa, you could say he knows a thing or two about the industry. For a full list of shows he has worked on, check out his IMDB.
Paul Baldwin, Translator
Paul splits his time between Vancouver and Tokyo. Maybe he can give you some tips on how to survive a 14 hour flight.
He is involved with the translation side of things. Also, when we record in Vancouver, he is in studio to ensure everything is pronounced correctly.
Rosa Ko, Editor
Rosa is originally from South Korea, and a graduate from BCIT’s, Television and Video Production program. She came and did an internship at our studio, and discovered her passion in Audio Post. We realized that she is a good fit for our team and decided to bring her on full time after her graduation in 2014.
Eli Haligua, Sound Designer
Eli was born in Istanbul and started his sound career at a radio station and eventually switched to the motion picture industry. For over a decade, he has worked on many national and international film projects (check out his IMDB for a list of shows).
Eli is our newest team member, and we are thrilled to have him on board!
Michael P Keeping, Foley Artist
Michael is a person who re-creates sounds for film, video, and other media in post-production to enhance audio quality. They replace sounds that cannot properly be recorded on set. Foley studios have viewing screens, and props, as well as recording equipment to record sounds as they watch the film
